21st Century and Contemporary Nude Photography
12
to
199
2,675
1,363
533
863
1,625
1,541
1,058
1,020
917
505
855
941
Overall Height
to
Overall Width
to
3,347
182
120
52
33
22
9
7
4
2
1
3,267
1,970
1,325
1,050
918
752
751
689
449
311
299
294
257
222
215
213
202
177
173
163
1
6
1,460
4,239
2
4
7
8
31
138
371
257
456
1
682
331
224
195
185
2,097
1,990
1,966
1,422
1,292
Period: 21st Century and Contemporary
"Secret Menu" Photography 24" x 36" in Edition 1/15 by Larsen Sotelo
Located in Culver City, CA
"Secret Menu" Photography 24" x 36" in Edition 1/15 by Larsen Sotelo
Not framed. Ships in a tube
Comes with COA
Available sizes:
Edition of 15: 24" x 36" inch
Edition of 7: 30"...
Category
Modern 21st Century and Contemporary Nude Photography
Materials
Archival Ink, Rag Paper, Giclée
Untitled (Paradise) - Contemporary, Nude, Men, Polaroid
Located in Morongo Valley, CA
Untitled (Paradise) - 1999,
98x97cm.
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 362.
N...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Leigh Ledare Erotic Photograph with Exhibition History
Located in Larchmont, NY
Leigh Ledare (b. 1976)
Mom Spread With Lamp, 2000
C-print
Framed: 23 3/8 x 16 x 1 5/8 in.
Edition 1/5
Exhibited:
Andrew Roth Gallery, "Pretend You're Ac...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Color
Small Breasts (Strange Love) - analog, mounted
Located in Morongo Valley, CA
Small Breasts (Strange Love) - 2003,
Edition 1/5,
60x80cm each, installed with gaps 127x80cm,
2 Analog C-Prints, hand-printed by the artist, printed on Fuji Archive Paper, based ...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
Sunbeams - underwater black & white nude photograph - print on aluminum 36x24"
By Alex Sher
Located in Beverly Hills, CA
Underwater B&W photograph of a young naked woman wrapped in air bubbles and sunbeams.
There were five grand-pianos at her house, a pool on the third floor, and a sad man on the bott...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
Love Scene against the Wall (Sidewinder) - 100x320cm, Polaroid, Contemporary
Located in Morongo Valley, CA
Love Scene against the Wall - Sidewinder) - 2005,
Edition 1/10.
100x320cm with white frame,
each image is 70x69cm in size.
Giclee Print on Canson Platine Fibre Rag Paper, base...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Color, Polaroid, Archival Paper, Archival Pigment, Archival Ink
Daisy in front of Mirror - Polaroid, Figurative, Photograph, Nude
Located in Morongo Valley, CA
Daisy in front of Mirror (Till Death do Us part) - 2005
Edition of 5,
128x125cm,
Analog C-Print, hand-printed by the artist,
based on the Polaroid,
Mounted on Aluminum with matt...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
Whisky and Water VI (Sidewinder) - Diptych, Polaroid, Nude, 21st Century, Color
Located in Morongo Valley, CA
'Whisky and Water VI' (Sidewinder), diptych - 2005
Edition 1/5,
45x36cm each, installed 45x80cm including gaps.
2 analog C-Prints, hand-printed by the artist on Fuji Crystal Archi...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
The Remedy, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
The Remedy
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
Feminist 21st Century and Contemporary Nude Photography
Materials
Silver Gelatin, Black and White
Waiting, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
Waiting
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Black and White, Silver Gelatin
Never Let the Same Snake Bite You Twice, Silver Gelatin Black and White Nude
Located in Los Angeles, CA
Savannah Spirit
Never Let the Same Snake Bite You Twice
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Silver Gelatin, Black and White
Inner Connectedness, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
Inner Connectedness
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment
My Body, My Choice, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
My Body, My Choice
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monog...
Category
Feminist 21st Century and Contemporary Nude Photography
Materials
Silver Gelatin, Black and White
Amor De Artuño, Silver Gelatin Black and White Nude Photography
Located in Los Angeles, CA
Savannah Spirit
Amor de Artuño
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
Feminist 21st Century and Contemporary Nude Photography
Materials
Silver Gelatin, Black and White
Supreme Nan Goldin skateboard deck
By Nan Goldin
Located in NEW YORK, NY
Nan Goldin Supreme Skateboard Deck: 'Misty and Jimmy Paulette in a Taxi, NYC' (1991/2018):
Published in 2018 by Supreme New York
Features Nan Goldin printed...
Category
Feminist 21st Century and Contemporary Nude Photography
Materials
Wood, Offset
Erotic romp - black and white photography
Located in New York, NY
"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment
Angel - Mixed Media by Danielle Mano Bella - 2022
Located in Roma, IT
"Angel" , Mix media , 2022 , Limited Edition 10/10 + option to add wood frame + 60 euro
from collection " New Age" -
The New Age series of 12 artworks was created as a personal pro...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Mixed Media
You, the desert and me - 21st Century, Polaroid, Figurative, Photograph, Nude
Located in Morongo Valley, CA
'You, the desert and me'
(The Girl behind the White Picket Fence)
125x150cm,
Edition of 5,
Analog C-Print, hand-printed by the artist,
based on the Polaroid,
Certificate and Sign...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper, C Print, Polaroid
Paree #11 - Contemporary, Nude, 21st Century, Polaroid by Carmen de Vos
Located in Morongo Valley, CA
Paree #11, 2011, Edition printed 2018, Edition 1/7
[From the series Goldenbogen & Zouzou]
Digital color print based on original Polaroid
on beautiful PHOTO RAG ULTRA SMOOTH
305gsm -...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Color, Archival Paper, Polaroid
No Way - black and white nude photograph - print on aluminum 39" x 62"
By Alex Sher
Located in Beverly Hills, CA
A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger.
Original digital print on aluminum plate signed by the artist.
Limited edition o...
Category
Photorealist 21st Century and Contemporary Nude Photography
Materials
Metal
Ode to Botticelli's Venus & Mars
Located in New Orleans, LA
10.25 x 24 inches - Edition 1 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment
Ode to Botticelli's Venus & Mars
Located in New Orleans, LA
Edition 1 of 3, 2 APs
Large size: 15.25 x 36 inches
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from t...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment
Apriel - underwater black & white nude photograph - print on aluminum 38" x 46"
By Alex Sher
Located in Beverly Hills, CA
An underwater black and white photograph of a beautiful topless young woman, Apriel swimming in the pool.
Original digital print on aluminum plate signed by the artist.
Limited edi...
Category
Photorealist 21st Century and Contemporary Nude Photography
Materials
Metal
Ode to Courbet's The Sleepers
Located in New Orleans, LA
Edition 1 of 3 with 2 APs
framing is an additional $525
Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current pho...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment
Portrait of a White Woman
Located in New Orleans, LA
24 x 16 inches - Edition 1 of 5 with 2 APs
framing is an additional $420.
Shot in 2011 in New Orleans
Inspired by Marie-Guillemine Benoist’s Portrait of a Black Woman, 1800 Ph...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment
So Still (Sidewinder) - Polaroid, expired, Nude, women, Love, Contemporary
Located in Morongo Valley, CA
So Still (Sidewinder) - 2005 -
78x80cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artist Inventory ...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Girl II (The Girl behind the White Picket Fence)
Located in Morongo Valley, CA
The Girl II (The Girl behind the White Picket Fence) - 2011
128x125cm.
Edition of 5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature label and certif...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Color Origami Spiral I and II, Diptyc Intervened photographs mounted on aluminum
By Efren Isaza
Located in Miami Beach, FL
Color Origami Spiral I and II, Diptych, 2010 by Efren Isaza
Mixed Media Archival pigment print
Overall size: 43 in. H x 58 in. W
Individual size: 43 in. H x 29 in. W
One of a kind m...
Category
Other Art Style 21st Century and Contemporary Nude Photography
Materials
Acrylic, Archival Pigment, Color
Manuela 5 - Photograph By Roberto Vignoli - 2006
Located in Roma, IT
Light painting technique, realized in a completly dark photographic studio, where the photographer manually "paint" by torch with light of different colours, the subjects and the ba...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
Marilyn Monroe . Marilyn Monroe sexy back . The last sitting
By Bert Stern
Located in Saint Ouen, FR
Bert stern
Marilyn Monroe sexy back
Mythical photo of the last session (1962)
inkjet printing by bert stern
2011
signed on both sides
certificate signed by the artist during his lif...
Category
Photorealist 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
Bubble Gun #04 [Odd Stories] - Nude, Polaroid, Photography, Contemporary
Located in Morongo Valley, CA
Bubble Gun #04 - 2015
[From the series Odd Stories]
Edition of 2/3, 108x83cm.
Hand signed & numbered by the artist + certificate.
Not mounted.
Digital ar...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Color, Archival Paper, Archival Pigment, Polaroid
![Bubble Gun #04 [Odd Stories] - Nude, Polaroid, Photography, Contemporary](https://a.1stdibscdn.com/carmen-de-vos-photography-bubble-gun-04-odd-stories-nude-polaroid-photography-contemporary-for-sale/a_6523/a_106213621659195713210/carmendevos_15_bookMM_BubbleGun_04_rag_master.jpg?width=240 "bubblexgun nudes")
So Still (Sidewinder) - Contemporary, 21st Century, Polaroid, Figurative, Nude
Located in Morongo Valley, CA
So Still (Sidewinder), 2005
Edition 2/5,
128x130cm,
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid.
Certificate and signat...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
Purple Haze (The Girl behind the White Picket Fence) - Polaroid, Contemporary
Located in Morongo Valley, CA
Purple Haze - 2013
(The Girl Behind the White Picket Fence),
70x90cm.
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certifi...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper, Polaroid, Color, C Print, Archival Paper
Motion tree -kodak professional metallic paper 225g
By Kir Simakov
Located in Fort Lee, NJ
The artwork's frame is not visible in front. There is a metal frame on the back to hang the photograph. The photo was printed on photo paper and covered with prexy-glass on top.
Simakov Kirill – Russian photographer. Born on August 15, 1984 in Moscow.
Taking a great interest in photography, Kirill began working at the S.Bermeniev’s National Portrait Gallery in Moscow. He was organizing and conducting photo sessions of world celebrities and outstanding figures of art and politics, curated exhibitions, and belonged to the editorial group on creating books, catalogs in Moscow, St. Petersburg, Milan, Vicenza, New York, etc.
In 2012 he received a certificate of completion of the course “Marketing for photographers” and in 2018 completed “Portrait Photography” course at the New York Institute of Photography.
In 2013, Kirill founded his own Collection of author’s photos for interior decoration of homes and office space.
In 2016 he opened a working studio in Moscow.
In 2017 – 2018 there were Kirill’s solo exhibitions:
– “Borislav Strulev and Friends”, Conservatory, Belgorod (30 portraits);
– “New York or Nowhere”, FLACON Design Factory (40 photos);
– “Outstanding People. Portraits on Skateboard decks “, Design Factory FLACON (15 works).
– “People, Cities” was held in the gallery “Moscow”, with the support of WESTWING and the Nastenka Charity Fund (12 works).
2018 – Exhibition booth during the ArtFair in Tampa, Florida
2018 – 2019 Official Ambassador of Leica Camera in Russia.
2019 – Personal Exhibition Booth at Red Dot during the Art Basel Miami
2020 – Exhibitor at SHANGHAI INTERNATIONAL ART FAIR
Kirill photographed many personalities – Vasiliy Lanovoi, Dmitry Medvedev, Stephen Seagal, Michail Gorbachev, Boris Efimov, Paul Walker, Vladimir Etush, Al Pacino, Vladimir Putin, Alexey Nemov, Yuriy Solomin, Vyacheslav Fetisov , Woody Allen, Elie Wiesel, Maya Plisetskaya...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
Marilyn Monroe . Marilyn Monroe in chinchilla coat
By Bert Stern
Located in Saint Ouen, FR
Bert stern
Marilyn Monroe in chinchilla coat
Mythical photo of the last seance (1962)
ink jet print by bert stern
2010
signed on both sides
certificat...
Category
Photorealist 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
Motion two -kodak professional metallic paper 225g
By Kir Simakov
Located in Fort Lee, NJ
The artwork's frame is not visible in front. There is a metal frame on the back to hang the photograph. The photo was printed on photo paper and covered with prexy-glass on top.
Simakov Kirill – Russian photographer. Born on August 15, 1984 in Moscow.
Taking a great interest in photography, Kirill began working at the S.Bermeniev’s National Portrait Gallery in Moscow. He was organizing and conducting photo sessions of world celebrities and outstanding figures of art and politics, curated exhibitions, and belonged to the editorial group on creating books, catalogs in Moscow, St. Petersburg, Milan, Vicenza, New York, etc.
In 2012 he received a certificate of completion of the course “Marketing for photographers” and in 2018 completed “Portrait Photography” course at the New York Institute of Photography.
In 2013, Kirill founded his own Collection of author’s photos for interior decoration of homes and office space.
In 2016 he opened a working studio in Moscow.
In 2017 – 2018 there were Kirill’s solo exhibitions:
– “Borislav Strulev and Friends”, Conservatory, Belgorod (30 portraits);
– “New York or Nowhere”, FLACON Design Factory (40 photos);
– “Outstanding People. Portraits on Skateboard decks “, Design Factory FLACON (15 works).
– “People, Cities” was held in the gallery “Moscow”, with the support of WESTWING and the Nastenka Charity Fund (12 works).
2018 – Exhibition booth during the ArtFair in Tampa, Florida
2018 – 2019 Official Ambassador of Leica Camera in Russia.
2019 – Personal Exhibition Booth at Red Dot during the Art Basel Miami
2020 – Exhibitor at SHANGHAI INTERNATIONAL ART FAIR
Kirill photographed many personalities – Vasiliy Lanovoi, Dmitry Medvedev, Stephen Seagal, Michail Gorbachev, Boris Efimov, Paul Walker, Vladimir Etush, Al Pacino, Vladimir Putin, Alexey Nemov, Yuriy Solomin, Vyacheslav Fetisov , Woody Allen, Elie Wiesel, Maya Plisetskaya...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
Champagne - underwater nude photograph - print on aluminum 32" x 48"
By Alex Sher
Located in Beverly Hills, CA
An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye-catching artwork.
The pool was f...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
The Tales of Bitter Doom - 21 Century, Women, Contemporary, Polaroid, Nude, Colo
Located in Morongo Valley, CA
Tales of Bitter Doom - 9 digital Prints, based on 9 Polaroids mounted on Dibond - gloss coating, 30x30cm each, installed 100x100cm, Edition 1/7, 2008. Hand signed & numbered on the back by artist
This piece will be exhibited at the Bombay Beach Biennale in the newly founded Polaroid Museum in it's permanent collection. The Museum opens its doors in March 23rd, 2019.
In Bombay Beach she presents a selection of nine scenes from the kinky Tales of Bitter Doom, a photo story about domination and submission, a tale about a wizard, as a Deus ex Machina...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid
Motion I -kodak professional metallic paper 225g
By Kir Simakov
Located in Fort Lee, NJ
The artwork's frame is not visible in front. There is a metal frame on the back to hang the photograph. The photo was printed on photo paper and covered with prexy-glass on top.
Simakov Kirill – Russian photographer. Born on August 15, 1984 in Moscow.
Taking a great interest in photography, Kirill began working at the S.Bermeniev’s National Portrait Gallery in Moscow. He was organizing and conducting photo sessions of world celebrities and outstanding figures of art and politics, curated exhibitions, and belonged to the editorial group on creating books, catalogs in Moscow, St. Petersburg, Milan, Vicenza, New York, etc.
In 2012 he received a certificate of completion of the course “Marketing for photographers” and in 2018 completed “Portrait Photography” course at the New York Institute of Photography.
In 2013, Kirill founded his own Collection of author’s photos for interior decoration of homes and office space.
In 2016 he opened a working studio in Moscow.
In 2017 – 2018 there were Kirill’s solo exhibitions:
– “Borislav Strulev and Friends”, Conservatory, Belgorod (30 portraits);
– “New York or Nowhere”, FLACON Design Factory (40 photos);
– “Outstanding People. Portraits on Skateboard decks “, Design Factory FLACON (15 works).
– “People, Cities” was held in the gallery “Moscow”, with the support of WESTWING and the Nastenka Charity Fund (12 works).
2018 – Exhibition booth during the ArtFair in Tampa, Florida
2018 – 2019 Official Ambassador of Leica Camera in Russia.
2019 – Personal Exhibition Booth at Red Dot during the Art Basel Miami
2020 – Exhibitor at SHANGHAI INTERNATIONAL ART FAIR
Kirill photographed many personalities – Vasiliy Lanovoi, Dmitry Medvedev, Stephen Seagal, Michail Gorbachev, Boris Efimov, Paul Walker, Vladimir Etush, Al Pacino, Vladimir Putin, Alexey Nemov, Yuriy Solomin, Vyacheslav Fetisov , Woody Allen, Elie Wiesel, Maya Plisetskaya...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
Möbius Mermaid - underwater nude photo from series REFLECTIONS acrylic 32x48"
By Alex Sher
Located in Beverly Hills, CA
“Möbius Mermaid” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of m...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Acrylic Polymer, Archival Pigment
Soft Dance - underwater black & white nude photograph - print on aluminum 60x40"
By Alex Sher
Located in Beverly Hills, CA
A black and white photograph of a naked young woman diving in a pool. The woman is coming from the depth up toward the surface and her body reflects in the internal water surface.
O...
Category
Photorealist 21st Century and Contemporary Nude Photography
Materials
Metal
Capricho - underwater nude photograph from series REFLECTIONS - acrylic 32 x 48"
By Alex Sher
Located in Beverly Hills, CA
“Capricho” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterp...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Acrylic Polymer, Archival Pigment
Spark - underwater nude photograph from series REFLECTIONS - acrylic
By Alex Sher
Located in Beverly Hills, CA
“Spark” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Acrylic Polymer, Archival Pigment
Waiting - Contemporary, Nude, Figurative, Polaroid, Photograph, expired
Located in Morongo Valley, CA
Waiting (Sidewinder) - 2005
Edition of 5,
125x124cm
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid,
Not mounted,
Signature label and Certificate,...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Kicker - 21 Century, Women, Contemporary, Polaroid, Figurative, Nude
Located in Morongo Valley, CA
Kickers (Walk like you understand Fashion) - 2015
78x76cm,
Edition of 5, plus 2 Artist Proofs.
Digital archival pigment Print on beautiful PHOTO RAG ® ULTRA SMOOTH paper 305gsm, 1...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Color, Archival Paper, Archival Pigment, Polaroid
You used to call me on my Cell Phone
Located in Morongo Valley, CA
'You used to call me on my Cell Phone', 2017, Collage of 16 original Polaroids,
Unique Piece. Framed and signed on verso.
Kirsten Thys van den Audenaerde ...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Polaroid
Daisy in front of Trailer (Till Death do Us Part) - Edition 4/5 - analog
Located in Morongo Valley, CA
Daisy in front of Trailer (Till Death Do Us Part) - 2005
Edition 4 of 5,
125x123 cm.
Analog C-Print, printed on Fuji Cristal Archive Paper, hand-printed by the artist, based on an expired Polaroid.
Signature label and certificate.
Artist inventory 9250.04.
Not mounted.
Note: the addional images show the edition 3/5 mounted (sold).
Stefanie Schneider’s Till Death Do Us Part
or “There is Only the Desert for You.”
BY DREW HAMMOND
Stefanie Schneider’s Til Death...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper, C Print, Polaroid, Color, Archival Paper
The Girl IV (The Girl behind the White Picket Fence) - Contemporary, Polaroid
Located in Morongo Valley, CA
The Girl IV (The Girl behind the White Picket Fence)
2013, 128x125cm, Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface,
based ...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Girl I (The Girl behind the White Picket Fence), 128x125cm
Located in Morongo Valley, CA
'The Girl I' (The Girl behind the White Picket Fence), 128x125cm, 2011, Edition 2/5, analog C-Print,
hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid,
n...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Princess Kiss - The Princess and her Lover, analog, not mounted
Located in Morongo Valley, CA
The Princess Kiss (The Princess and her Lover), 2009,
Edition of 2/5,
100x98cm
analog C-Print based, printed by the artist, on a Polaroid,
not mounted,
Signature label and Certi...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Tales of Bitter Doom - complete series, 25 pieces
Located in Morongo Valley, CA
'Tales of Bitter Doom' complete series, 25 pieces
Edition of 7,
30x30cm each, complete 150x150cm plus spaces, 2018
digital C-Prints, based on a Polaroids mounted on Dibond - gloss ...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
C Print, Color, Polaroid, Archival Paper
Carmen - underwater nude photograph - print on aluminum 40" x 40"
By Alex Sher
Located in Beverly Hills, CA
Underwater nude photograph of Russian celebrity singer Katya Lee. The photograph is mostly black and white except for the red scarf.
Original digital print on aluminum plate signed...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
Elisabetta 1 - Photograph By Roberto Vignoli - 2006
Located in Roma, IT
Light painting technique, realized in a completly dark photographic studio, where the photographer manually "paint" by torch with light of different colours, the subjects and the ba...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Photographic Paper
The Trouble - photograph of an underwater reflection - acrylic 28 x 48"
By Alex Sher
Located in Beverly Hills, CA
A passionate furious energy radiates in the ripples of red that overtake the reflection. Intense motion, stirring the water into an explosion of bubbles we encounter “The Trouble...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Acrylic Polymer, Archival Pigment
Man in Canoe. Nude. Photograph printed on canvas, Mounted in strechers
Located in Miami Beach, FL
Man in Canoe by Celso Castro
Overall size: 140 cm. H x 420 cm. W x 8 cm.
Each panel (58cm H x 91 cm W x 2.50 cm D)
Overall 3D Photo Collage is created of eight individual images m...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Canvas, Wood Panel, Color
Ballet - underwater black and white nude photograph print on aluminum 42" x 56"
By Alex Sher
Located in Beverly Hills, CA
An amazing underwater photograph of a young female dancer diving in pool. The naked dances is covering herself with tutu skirt. The photograph looks black and white even though it h...
Category
Photorealist 21st Century and Contemporary Nude Photography
Materials
Metal
Love Scene against the Wall (Sidewinder) analog and mounted, 57x249cm - Polaroid
Located in Morongo Valley, CA
Love Scene against the Wall (Sidewinder), 2007
Edition 1/5.
4 x 57x56cm, 57x249cm installed with gaps in between the pieces.
4 Analog C-Prints, hand-printed by the artist
on Fuji ...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Metal
TooLess 7225, 3D Nude Color Photograph. Framed Lightbox
By Koray Erkaya
Located in Miami Beach, FL
TooLess 7225, 2018 by Koray Erkaya
From the series of TooLess
Printed flex material on plexiglass 2 different Layers and a 3rd layer is the back light with a special wooden frame
Lig...
Category
Contemporary 21st Century and Contemporary Nude Photography
Materials
Archival Pigment, Wood, C Print, Lights, Plexiglass
